Saturday, December 13, 2008

to be or not to be

Throughout the course of the play, Hamlet begins to doubt his faith, question the afterlife, and attempts to reason through all of chaos in his life. Shakespeare informs his audience that Hamlet and his best friend Horatio attend school in Wittenburg, a Protestant school. Although, the majority of the other characters are Catholic, the audience is led to believe that Hamlet holds to protestant teaching and heaven as an afterlife. This religious position would deeply question the ghost that appears right off the bat, starting the play. As the ghost beckons Hamlet to follow, Hamlet says, "Why, what should be the fear? I do not set my life at a pin's fee, and for my soul, what can it do to that, being a thing immortal itself? It waves me forth again. I'll follow it." Although Hamlet's schooling would have taught him to be skeptical in such an encounter, Hamlet is curious and has a "what have i got to lose" attitude. Even before his encounter with the ghost, Hamlet questions his worth and wishes he could die if only "the Everlasting had not fixed His canon 'gainst self-slaughter!!!" He says in his first soliloquy "O, that this too too sullied flesh would melt, thaw, and resolve itself into a dew!" In response to his father's death and the marriage of his mother to his uncle, Hamlet wonders why no one else considers the situation bizarre. He is emotionally fragile to the point where he wishes he could commit suicide.

Although Hamlet expresses such a range of emotions, he admits himself that he can't understand why those emotions can't be turned into action. Especially after he learns of his father's murder by his uncle, he suffers inner conflict in not being able to bring himself to kill the king. In Act Two, during the play, Hamlet ponders, "What is he to Hecuba or Hecuba to him, that he should weep for her?" He questions why an actor can express his emotions so freely and passionately over a simple play, while he can't even when his is reality. Hamlet continues to question the after life during his famous "to be or not to be" speech in Act Three. This speech seems to sum up Hamlet's emotional state throughout the play in a simple and short phrase. He is torn between his chaotic life on earth and his death, forever loomed over by uncertainty.

During Hamlet's iconic conversation with Yorick's skull, he seems to come to terms with death. He talks to the skull with humor and wit, very much an example of dark humor. He comes to accept that all people die. All people will one day be a skull in a graveyard. No matter what mistakes you make in life, don't really matter, because the Divine is sovereign: "There's a divinity that shapes our ends, rough hew them how we will."

In the end he admits his love for Ophelia after learning of her death by suicide. Their love story is another subplot within the play, another example of Hamlet's continual emotional battle. He loves her, than he pretends not to, breaks her heart, then claims to love her more than "forty thousand brothers." Obviously her suicide creates tension and raises many questions among the other characters. I think that when it comes to his death, Hamlet goes on to heaven. He understands and accepts protestant teaching, even though he may face life pessimistically.

Saturday, October 25, 2008

Happy Tragedy Day!

I've never really been that much into acting, I guess mainly because I always end up laughing right in the middle of my lines. I can't keep a straight face :) Yet, when assigned a tragedy script in which I CANT laugh, I found that I really got into my part. My group decided that during both Act 2 and Act 4 the actors should be silent and that only the Chorus should be speaking, in an effort to keep them from leaving and making the wrong choice. During Act 4, when I was talking to Ben and Megan (playing Mom and Dad), I found myself choking up, almost crying. I couldn't believe it! Yet, I talked with the rest of our group and they all said that they had all gotten into their roles as well.

I think this assignment really helped us all to relate with some of the crazy, tragic things of our faith. Being a Christian ain't easy. The truth is, our relationships that we have with others on this earth will never be fully reconciled. Only when we reach heaven together will we be able to love each other perfectly. We will love each other as Christ loves us.

I don't think that means we shouldn't even try though. It was kinda tough writing a tragedy from the Christian worldview, just because as Christians we will never experience complete despair and we will never be without hope. Blaine and Megan (as the girlfriend), represent the hope in our story. I loved our last scene when I, as Chorus, enter into the actor's realm and had a conversation with Blaine. We decided as a group that I should freeze after emphasizing that his girlfriend was "all he had left." This suggests that I am no longer needed in the story, because the characters finally found hope and truth in each other, and from the Christian perspective, in God.

Monday, October 13, 2008

The "E" in oEdipus


Though the complex plot of Oedipus doesn't allow for a complete metaphor, the shepherd character acts as sort of Saviour to the young Oedipus tied up by his ankles. The metaphor breaks down when one views this act as only an attempt to loosen fate's grip on the child's life. However, in an effort to "evangelize the text" one can clearly replace the lifeless, vulnerable Oedipus with any one of us. We are all lost and chained by our ankles to our sin, unable to escape it's grip without the help of an outsider. Somebody perfect and compassionate that finds us and does everything he can to save us. Jesus is our shepherd. While we all slowly die in our sins up on some faraway hill thinking we will never be found, Jesus is searching all over the countryside for that one lost sheep.
"What man among you, if he has a hundred sheep and has lost one of them, does not leave the ninety-nine in the open pasture, and go after the one which is lost, until he finds it? And when he has found it, he lays it on his shoulders, rejoicing. And when he comes home, he calls together his friends and his neighbors, saying to them, 'Rejoice with me, for I have found my sheep which was lost!' I tell you that in the same way, there will be more joy in heaven over one sinner who repents than over ninety-nine righteous persons who need no repentance." Luke 15:4-7

Tuesday, September 23, 2008

Why read old books?

Why read old books? Because they give our lives perspective. Why read old books? Because every piece of literature has some truth in it. Why read old books? Because the questions that the Classics raise apply to our generation just as much as they did hundreds of years ago when they were written to the audiences from ancient Rome to bustling St. Petersburg.

Dr. Burton proposed that Raskolnikov was the embodiement of Existentialism. Raskolnikov is a "tortured soul" and throughout the novel experiences redemption - he is Doestovsky's Lazarus being raised from the dead. Existentialism attempts to remove the mask from it's characters and from its readers. It focuses on the moment and quality existential writing will draw the reader into the plot so intensly that the reader will be forced to make split decisions along side the characters. I experienced this every time I turned a page in Crime and Punishment. He awakens the "nightmare quality of unredeemed existence". Dr. Burton also mentioned that existentialism percieves the paradoxes. We, as Christians, are "walking paradoxes". This intrigued me in class and I was impacted by the greatness of our God in transforming a SINNER into a SAINT. To use the phrase of our beloved C.S. Lewis, God has taken "the obstinate tin soldier" and brought him "beautifully and splendidly alive".

I appreciated hearing all this from a pastor. As a student and teacher of the most vital and transforming piece of literature available to man, the Bible, I expect pastors to be informed on modern literature and defend the Christian worldview when faced with challenging questions from the author.

Why read old books? Because every book, every article, every song, every poem, everything will have some shred of truth in it and as Christians we are challenged to discover God's truth within every culture, so that we may be that more informed about how to share His truth with the world...

Monday, September 8, 2008

EXAMPLE

"Do not let anyone look down on you because you are young, but set an example for the believers in speech, in life, in love, in faith, and in purity." 1 Timothy 4:12

Threefold Prayer


"God is the thing to which he is praying-the goals he is trying to reach. God is also the thing inside him which is pushing him on-the motive power. God is also the road or bridge along which he is being pushed to that goal. So that the whole threefold life of the three-personal Being is actually going on in that ordinary little bedroom where an ordinary man is saying his prayers." (163)

Wednesday, September 3, 2008

Points to Ponder-Mere Christianity

"Enemy-occupied territory-that is what this world is." (46)

"To what will you look for help if you will not look to that which is stronger than yourself?" (59)

"the whole mass of Christians are the physical organism through which Christ acts-we are His fingers and muscles, the cells of His body." (64)

"Very often what God first helps us towards is not the virtue itself but just this power of always trying again." (101)

"That is the whole point. For the first time we saw a real man. One tin soldier-real tin, just like the rest-had come fully and splendidly alive." (180)

"But we must not suppose that even if we succeeded in making everyone nice we should have saved their souls. A world of nice people, content in thier own niceness, looking no further, turned away from God, would be jus as desperately in need of salvation as a miserable world-and might even be more difficult to save." (216)

"It is when I turn to Christ, when I give myself up to His Personality, that I first begin to have a real personality of my own...Give up yourself, and you will find your real self. Lose your life and you will save it." (226)